I AM IZZY!  See Izzy Live in Vegas, In Cirque Du Soleil's sexy new spectacle ZUMANITY!



















Edmonton Journal
Monday, August 21, 2000
- Liz Nicholls


Endearing Izzy shameless and courageous.


She's a pop-culture repository of self-help truisms


Burnt Tongue - * * * * Stage 10 (Yardbird Suite)


Sure, Izzy does arrive for her blind date wearing a wedding dress. But, like, that doesn't mean she's a "planner," OK ("guys get scared when you do that"). "I'm totally prepared to be spontaneous," declares this most endearing of clowns, quivering with expectation and the effort to appear casual.

She's met a man on the Internet, arrives in the park to meet him, and ... waits. "I'm not too eager, I'm punctual," she says, with the merest soupcon of doubt. "I'm sure he's coming. I'm not worried." What Shannan Calcutt creates, in this enchanting, clever little show, is a portrait of mounting anxiety with a red nose. "Do you think I'm pretty?" she asks us with chipper fragility. She actually wants, needs, an answer, but only if it's yes. The affirmative comes: "A lot of people say that." She beams.

What Izzy reveals, in the course of Burnt Tongue, is a whole world of huge hopfulness teetering giddily on the most fragile architecture of self-doubt. You hold your breath, wondering if it will hold. Izzy is a repository of pop-culture truisms about self-improvement ("like, I'm a totally awesome person"). A born disciple, whose desperation to believe is shot with glints of doubt, Izzy studies with the famous--and the teacher is always late, or indifferent. A sequence in which she demonstrates the results of her corporeal mime lessons is especially hilarious.

She is shameless, and brave, and scared to death that the mantras of sociology won't save her from loneliness. In a nerveracking, very funny scene, she wonders aloud if she's a good kisser, and gets a volunteer to offer his opinion. "How would you rate me on a scale of one to 10?"

You discover yourself desperately wanting Izzy to find love, and desperately fearful she'll end up forlorn. Sue Morrison's production is delicately tense and smartly calibrated. And Calcutt's winsome performance will make you wince and laugh - simultaneously. Warmly recommended, even for the diehard anti-clown audience.

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